Semi-true Stories or "Hey, it could happen!"

Steampunk

To the person who loves history, some of the worst offenses authors of historical fiction make are an overload of period detail, characters using modern dialogue or behaving in a manner that is inconsistent with the time period, and re-writing history. We don't want well-known historical figures performing acts that are out of character, like pardoning their enemy instead of beheading them and marrying their widow for the estate or the inheritance. We can't stand it when people who we know are doomed (like Mary Queen of Scots) receive a surprise happy ending.  If someone is implausibly saved, (such as the fair maiden's rescuer appearing at the scaffold with a machine gun thanks to their handy time machine), the reader had better realize that this author is writing fantasy, science fiction, romance, or maybe a blend of all three.  It is not historical fiction.

One of the keys to an engaging story is a main character that invokes sympathy on the part of the reader.  In The Constant Princess, Philippa Gregory does an excellent job developing the character of Katherine of Aragon. Katherine begins the story as a young, headstrong princess of Spain who becomes the Princess of Wales and (eventually) the beloved wife of Arthur, the Prince of Wales.  Their romance is passionate but short lived.  On his death bed, Arthur extracts a difficult promise from his wife.  She is to deny the consummation of their marriage and set her sights on marrying his younger brother, Henry.
Although she should be headed back to Spain as a widow, her promise to Arthur and the political maneuverings of various European monarchs (including her former father-in-law) prevent her departure.  She allows Henry VII to believe that she might consent to his advances while remaining true to her promise to Arthur.  She becomes the "constant princess", bound by a promise and her own ambition.  What the author has done with this character is highlighted her triumphs and not her disappointments, which can be difficult when using historical figures.  Gregory takes the somewhat tragic life of Katherine of Aragon and turns it into an intriguing story about her personal life and loves and avoids creating an atmosphere of impending doom.

Historical fiction that centers on events, allows the author to create their own characters.  They can use these ordinary people to help lead the reader to a deeper understanding of historical events and their impact on lives. In Skeletons at the Feast, Chris Bohjalian used several real life resources mingled with historical facts to help him create both a realistic setting and characters.
The events in this book take place during the final months of World War II. A Prussian (German) family is fleeing their estate in the face of the Russian advance.  Along with their wagon and supplies, they are bringing their farm helper, a Scottish POW who also happens to be their daughter's lover.  Their goal is to head west through Poland and Germany until they reach the safety of the British and American lines.  Along the way they meet resistance fighters, concentration camp survivors, and German fanatics who refuse to see the reality of their country crumbling around them.  They also must face their journey without their father and older brother who feel honor-bound to rejoin the German forces despite the fact that they know they are most likely going to die.  The variety of characters in this book and the intense setting allows the author to show human nature at its best and worst.
No matter what type of historical fiction you prefer, if it's done properly it can take you back in time or lead you to a new understanding.  Maybe it will spark your interest in a person, time period, or event and lead to become an "expert" in that field.  Don't dismiss historical fiction or you may be doomed to read the same type of fiction over and over and over again.
Also recommended by the Manitowoc Public Library Staff:


Biographical Historical Fiction

Hemingway and Hadley

He's just into you for your money;
 but you've got the title to keep you warm.